Archive for the ‘Photo Restoration’ Category

Now this one was a challenge.

To look at this photograph you would not think it would rate as one of the most challenging images I have ever had to restore. It doesn’t have large sections missing and it isn’t so faded it it barely visible.  It is however covered in tiny spots and stains.  In fact, when I fist saw it and even when I scanned it I thought it would only take a few hours to restore. It did take a few hours, then a few hours more and then a few hours more.  In hindsight, I would have been best to rephotograph this image rather than scanning.

I am often able to repair damage by manipulating channels and creating elaborate masks and whilst my methods did prove successful in some areas of this image it wasn’t enough. I found dodge and burn on a 50% grey layer to be the most effective method for removing many of the dark spots and stains.  The results obtained from this method are much better than those I was able to achieve with cloning and healing…they also however took much longer than a quick clone and heal.  I am not complaining though. I acquired a few new skills during this restoration (by reading and watching tutorials from other Photoshop technicians) and I am quite happy with the end result. I know it could be better given more time. This I could say about most every image I restore but there comes a time (usually after spending at least twice as long as you first planned) when you simply need to sit back and ask if all the defects you see in a photo will be visible to everyone else, especially when printed as a small print. I completed the restoration and sent it off for printing and just as I suspected, those hundreds of tiny spots that were bugging me on my 24″ screen were barely visible in the 6″ x 4″ print.

Charles-Phibbs-family-original

Charles-Phibbs-family restored image

You will notice that the woman on our right has her eyes closed in the original but open in the restored version. This was my artistic interpretation. There were two versions of the image produced; One with eyes open and one with eyes closed. I wouldn’t advise such changes with all images. Sometimes ’subjective’ alterations to an historical image can compromise it’s integrity. In this case I don’t feel that it did.  She just happened to blink during the exposure.   The eyes used were ‘borrowed’ from her sibling and slightly altered. Thanks to Jenny for allowing me to share her image of Charles Phibbs and family.  Those faces which were fading away will now be visible for many years to come.





Hidden Treasure

It’s amazing how much information can be found in images, faded by time.  This photograph was presented to me recently;  the owner fully aware of how faded it had become and appreciative of any attempt to restore it.  My comments to her when I first scanned it were something along the lines of, “great news!  I think I can fully restore this image.  The bad news however that beneath the fading lies lots of tiny spots and scratches that will take time to repair.”

When scanned, it was obvious that this image required a little more than just color and exposure correction.    There were mould stains, blue biro markings and even a thumb print from the original printing process.  Worst of all however were those scratches covering almost all of the image. This was a challenging image, but one I truly enjoyed restoring.

Thank You Margaret for allowing me to share this lovely image on my blog.  It certainly is a treasure.

faded image with minot exposure adjustment

Restored photogrpah




Sometimes images are just too fragile to scan

I prefer to scan my images for restoration where possible but with this one, it simply wasn’t an option…..for two reasons;

The image was presented to me while on holidays.  I didn’t have access to my scanner or computer and even if I did it would have involved removing the image from the deeply matted frame it has been housed in for approximately 80 Years.  Here within lies my second dilemma.  On close inspection, I noticed that there was barely a section of the image which did not have emulsion peeling away from the fibre base of the image.  Some of the emulsion appeared bubbled.  The original image was so fragile.   If I did attempt to remove it from the frame it may very well have resulted in further damage.  Removing an image such as this from a frame is the type of job best reserved for a conservator or specialist framer.

Making the most of  available resources, I re-photographed the image using available light, black fabric to reduce reflections from the large frame and a borrowed tripod,  I then set upon the task of restoring.  This involved a great deal of cloning, healing, burning and dodging.  Like most things, the best results are achieved with time and patience…certainly the case here.

original photograph of Albert Green

original photograph of Albert Green, Walcha

restored photograph of Albery Green

photograph of Albert Green, restored by Carol Heath, Pixel By Pixel

Thank you to the Green Family for trusting me with this image.  It was a challenge but absolute pleasure to restore.




Hmmm……Polaroid Photos

Polaroid photos have never been noted for their superior quality and the one taken of my son today at the MCG by organisers of the cricket clinic he attended with the Victorian Bushrangers is no exception.  In fact, it’s pretty horrible.  The composition and lighting are fine and it’s a great memento of my son enjoying his time on the “hallowed turf’ but it is reminiscent of Polaroid photos I have restored, taken 30 years ago that have aged and suffered over the years.  Perhaps old film stock, stored incorrectly is to blame?   Perhaps this particular camera / film combination is not capable of anything better?  I can only say that we were a little disappointed as I waited eagerly for his image to appear after reassuring him that “Polaroid photos just take a little time”.

It’s times like this I am grateful for my photo editing skills;  a quick levels and curves adjustment, a bit of scratch removal, some colour burn and dodge, a new border and volia!…. a somewhat improved photograph for him to add to his collection.

MCG-polaroid-before-and-after-webOf course I did take my own camera along and took more than just a few snaps to add to the family photo album…..but there are no ‘before and afters’ to show you with those. ;)




Why scan RGB?

I use this image in my Photo Restoration courses.  It is badly stained and on first glance, looks like it would take hours to restore.  And had I scanned it as a greyscale image it probably would.

But I never scan photographic images in greyscale.  I’m a big fan of RGB (red, green blue).  Let me show you why;

This is the original image scanned and saved as an RGB file.  Looks pretty bad.  That horrible reddish/yellow stain covers most of the image.

Why-scan-in-RGB-original

But take the time to inspect each of the individual colour channels and you might be pleasantly surprised.

This is the blue channel…no pleasant surprises here;

why-scan-in-RGB-blue-channelThe green channel isn’t much better.  At least I can see more of the image but there is nothing to get excited about here either;

Why-scan-in-RGB-green-channelBut look at the Red Channel!  This is where you can get excited.  It’s hard to believe this is the same (unedited) image.  The image I originally thought would take quite a few hours to restore will now only take about an hour!  There are obviously still areas of damage which require my attention and I will need to do some clever editing to replace the blue and green channels but it is easily done…without losing any hair.Why-scan-in-RGB-red-channelAnd here it is restored (with a sepia tone applied).

Why-scan-in-RGB-restoredlNow, had I scanned this image as a greyscale file, this is what I would have had to work with.  No hidden surprises lying within colour channels.  What you see is what you get:  Hmmm, no thanks.

what scan as RGB, geyscale scanSo the moral to this story, which lacks technical info but instead just uses pictures to demonstrate is……….Scan your images for restoration as RGB, even if they are black and white images.  Whilst miraculous results like these cannot be achieved with all images, that extra colour data increases your chances and may just save a few hairs.




Amby Baby Hammocks website images

A few months ago, Trish from Amby Baby Hamocks contacted me requesting images for the front page of her new website. She had already had the product images taken for her shopping cart but wanted inviting, fresh, bright images for the front page. This is after all the first impression that visitors to her website would have and she wanted to make sure it was a good one. She found a lovely location and a couple of gorgeous, pint sized models. Here are just a few images from our shoot;

Amby-Baby-Hammock

Amby-Baby-Hammock with happy baby

Amby-Baby-Jump-Jump

Congratulations on the new website Trish. It looks great!




Reconstructing the Past

The way we restore photographs today is quite different to the way images were restored before computers, but the concept remains the same.  Some restorations are purely objective;  the image has obvious damage with an obvious restoration solution.  Spots, tears and scratches are repaired, mould and stains removed and sometimes, the ‘jigsaw’ is pieced back together.  On most occassions this is quite straight forward.  On others however a more subjective approach to the image is required to first interpret what the original may have looked like and then repair it.  Sometimes a little guess work is required.

This was the case with this photograph of Ocean Chelman, presented to me for restoration by his Great Grandaughter Aileen.  There are no living relatives who knew Ocean personally so sadly there is no-one we could call upon to describe his features.  Instead, we used images of his descendants as a guide (especially for the shape of his nose) and a copy of the image which had previously been restored using traditional methods.  I applaud the restoration effort of the original restorer (name unknown).  He or she would have had to make a copy negative of the original image, print it then ‘paint’ in the missing details.

My approach was a little different.  I first cut my digital copy of the image in half where it was cracked and repositioned the two pieced so they aligned as closely as they could.  I enhanced the exposure and repaired those obvious spots, scratches, etc.  I then rebuilt his face using texture and luminosity samples from other sections of the image and created new features using burning and dodging techniques, a  little like drawing I guess.

Aileen is currently searching archives for more images of Ocean.  I am keen to see what she finds.  I would love to know how closely we were able to render a likeness.  This was definitely a challenge but a most enjoyable one. Thank you for trusting me with your image Aileen.

Before and after image of Ocean Chelman, digitally restored by Carol Heath, Pixel By Pixel




Photo Restoration and Retouching Books I LOVE!

Apart form one short  course back in 2000, I am completely self taught when it comes to Photoshop. I learnt from necessity when I was teaching in high schools, staying just one step ahead of my tech savvy students. It wasn’t until I started my business and in particular restoring photographs that I realised how little I knew about this amazing program.

It was a series of books which taught me most of what I knew about Photo Restoration during those early days.  Of course I have learnt a great deal since then…..I am always learning.   Each new image introduces a new challenge.

I am often asked which books I would recommend  to those wishing to learn how to restore photographs.

This snapshot shows just a few of the Photoshop restoration and retouching books I love  they just happen to be available from my Amazon store as well.   All books in my store ship from Amazon in the US.  You may be surprised at just how affordable they are, even with shipping.

Photoshop books I love

By far the best restoration book I have ever read is Katrin Eismann’s “Photoshop Restoration and Retouching”. (Note the numerous yellow ‘post it’ tabs on the copy I first learnt from).  The most recent version is now a few years old.  It was written for CS2 however the content still applies to more recent versions of Photoshop (and even Photoshop Elements).  You can even download the images Katrin uses in her lessons so you can complete the very comprehensive, step by step tutorials in the book.

Katrin’s Photoshop Masking and Compositing book is equally as impressive.

Another fantastic restoration book in my collection is Ctein’s, “Digital Restoration from Start to Finish”.  This is a more ‘technical’ book which outlines all aspects of copying, restoring and archiving your images.  I recently attended a webinar where he explained some of the techniques he demonstrates in his book.  Since then I have adopted new processes in my restoration workflow, especially applying to colour correction.

I also like Scott Kelby’s books, in particular one of his recent offerings, “Professsional Portrait Retouching Techniques for Photographers using Photoshop” and Matt Kloskowski’s recent publication, “Photoshop Compositing Secrets “.  All books are jammed full of step by step tutorials and  screenshots to assist the reader.  I should note that Scott Kelby’s retouching book is aimed at Photographers, not high-end photo retouchers.  His techniques are designed to enable productive workflow to photographers who do not have hours to spend on a single image.  He has a huge collection of books, all of which I find very easy to read.  He writes, just as he would speak.

With each new version of Photoshop or Photoshop Elements new books arrive on the scene.  I usually add them to my Amazon store as I hear about them but I cannot claim to have read them all.  The books listed above are books I own and can recommend.

Have you stumbled upon any great restoration or retouching books?




A touch of colour to brighten your day

I don’t remember when I first fell in love with photography but I do know it was at a very early age.

There are a few photos that I remember fondly from my childhood.  One of them is my parents’ wedding photograph which originally hung on the lounge room wall of the family home but was later moved to the writing desk.  It is still there today, mounted in a simple white frame.  My parents make a handsome couple;  my mother  in her long, lacey wedding dress and veil and my father in a dark suit.  The two bridesmaids wore a soft pink and a baby blue, full length 1950’s style dresses.  Their bouquets were pink.  Another is an aerial photograph taken of my grandfather’s property near Walcha in NSW.  The roof of the house is quite a bright red and the paddocks are a lush green.  This photograph still hangs in the entrance hall of my Aunt and Uncle’s house.

Both of these photographs were hand coloured.  Perhaps this is why I have such fond memories of them?  I remember thinking how lovely it was that they were photos, but they were also like paintings.  The colouring of the aerial photograph is rather crude and looks a little rushed.  It is probably also likely that the paddocks were not as lush and green as represented in the photograph, but it is still a great image.

It wasn’t until I went to Uni that I really fell in love with hand coloured photographs.  One of my lecturers, Miranda Lawry, was skilled in the craft (along with book binding) and I admired artists such as Robyn Stacey, Micky Allan and Kate Breakey who took this traditional art medium and employed similar techniques in their contemporary exhibition images.   I even wrote my final year research paper on “The Art of Hand Colouring”  and created three children’s books featuring hand coloured photographs for my final year exhibition.

So, did I mention that I LOVE hand coloured photographs?

Today when I ‘hand colour’ a photograph, I use Photoshop and my ‘I can not live without’ Wacom tablet instead of my trusty Marshall’s oils and pencils which are safely stored somewhere in the garage, but the technique I use for colouring an image today is not unlike the technique I used twenty something years ago.  I apply my colour, adjust the opacity of that colour and build layers of colour to achieve the desired result.   There is no smell of oil paints or thinning solution or endless cotton buds littering my desk.  Just my computer and trusty Wacom tablet.

I recently had a client send a photo through for restoration.  It is a charming  photograph taken in 1962 of six year old Margaret, dressed for a special event at the South Bundaberg Primary School in QLD.  As soon as I saw this image I wanted to colour it.  Yes, it looks great as a black and white image, but those candy stripes were just begging to be coloured red.  Margaret agreed and this is the end result.

hand coloured image by Carol Heath, Pixel By Pixel

Thank you Margaret for allowing me to share.  I thoroughly enjoyed working on this image;  not a difficult one at all to restore but such a glorious image.

Hand colouring (otherwise known as colourisation) is just one topic taught in my Photo Restoration courses.




It pays to sit up the front!

Last May, at very late notice I was asked to fill in for a speaker who had fallen ill, at the VAFHO State Conference in Yarrawonga.  I made my journey to Yarrawonga early in the morning and proceeded to set up in the large room which had been allocated for my presentation. There was still almost an hour until the presentation began but already, there were people claiming their seat. Like many of us did back in High School, some chose to sit near the back of the room.  Do we do this so we are not noticed?  So we can inconspicuously ‘nod-off’ if the presentation is boring?   There were also those however who quickly claimed the seats at the very front.   Among those occupying the front seats were Val Fraser and her sister Fay.

As I was setting up, the wonderful Jan Parker, organiser of the event, came to ensure I had everything I needed and to discuss the content of my presentation.   I have done many of these presentations so can easily speak for a couple of hours about photo restoration but decided that since I had not have time to create lecture notes or a written tutorial, I would restore a photograph from an audience member, live.  At that moment, two sets of ears from the front row pricked up and a small photo album of precious family photographs was quickly offered for my consideration.  There were some glorious photographs among this collection and I chose three which could be used for the demonstration. None of these photographs required extensive restoration.   I chose them for two reasons; the content of the photographs was interesting and relevant to the local area and they were examples of images which could easily be restored by the keen enthusiast, and in the time available.

You might recognise a couple of these images. Val and Fay kindly agreed to let me use them on my new site and blog header.

“The first is a photo of Bundalong Sth S. S.  c.1900s.   Grandma  ( Florrence Greenaway) is in the black dress blonde hair, 4th from right hand side.  It is possible that one of the boys is her brother, Albert but the identity of all others is unknown.”

original image

restored image

I do love this image.  Although very staged, the photographer has attempted to include a sense of spontaneity.  It is just so different from most school photographs I have come across with all children standing at attention..

“The second photo is of Florrie Greenaway on the far right -taken about 1910.  It could have been taken near Yarrawonga / Bunderlong Sth.”

original image

restored image

“The last photo is of our Great Grandmother Ellen Boxer (nee Skinner) feeding the turkeys at Devon Farm Savernake N.S.W. probably taken in the 1890s.”

original image

restored image

So there you go;  It does pay to sit up the front. You just never know what rewards may come your way.